Solipsistic silliness or sly satire? Either could be possible in Lonergan's Medieval Play, though the first scene goes a long way toward establishing the first possibility as the dominant one. Despite certain lapses into (somewhat tedious) absurdity, the satire frequently cuts sharp. By infusing the dialogue of his medieval characters with the locutions and sensibilities of Gen Y'ers, Lonergan persuasively argues for our inability to act outside our historical constraints, no matter how self aware we are, no matter how much we are able to think outside those constraints. Energetic acting by Anthony Arkin and Tate Donovan playing the two knights, and a special nod to Heather Burns playing Catherine of Siena.
Recommend.
Subscribe to:
Post Comments (Atom)
Blog Archive
-
▼
2012
(62)
-
▼
May
(13)
- Title and Deed (Eno)
- The Long Day Closes (Terence Davies)
- The Tempest (Shakespeare)
- My Children! My Africa! (Athol Fugard)
- Medieval Play (Kenneth Lonergan)
- Bernie (Richard Linklater)
- The Caretaker (Harold Pinter)
- Headhunters (Morton Tyldum)
- American Buffalo (David Mamet)
- My Name is Asher Lev (adapted by Aaron Posner from...
- Wall Street Chamber Players
- Gatz (Elevator Repair Service, based on Fitzgerald...
- Ritorno d'Ulisse In Patria (Monteverdi)
-
▼
May
(13)
No comments:
Post a Comment